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Studios

The twelve-week teaching schedule: what happens in each studio, what to prepare, and what leaves the room.

Twelve studios, each one working mechanism at a time — a pointer signal, a constraint, a decay, a second hand on the same instrument — building toward the single idea the semester closes on: 无法而法,乃为至法, the method of no method is the perfect method.

First marks

The first studio — what to have working before you arrive, and the smallest possible instrument you'll build once you do

Week 1 · 22 February 2027

First review

The second studio, where the mark made in week 1 meets a hand that isn't yours for the first time

Week 2 · 1 March 2027

Gesture as data

Reading more out of a pointer than its position — speed, dwell, and what those signals should change

Week 3 · 8 March 2027

One constraint

Choosing a single rule to enforce, and watching it do more work than a whole list of features would

Week 4 · 15 March 2027

Feedback and decay

Giving the instrument a state that keeps moving on its own, so it's a small system and not just a picture machine

Week 5 · 22 March 2027

Crit: First Instrument

The studio where First Instrument is due and shown, and the shift from building for yourself to building for a stranger's hands

Week 6 · 29 March 2027

Many hands

Folding mouse, touch and keyboard into one path through the code, instead of a separate branch for each

Week 7 · 5 April 2027

Pattern and seed

Giving a hand a control to choose among a family of variations, deliberate rather than accidental, instead of one fixed result

Week 8 · 12 April 2027

Failure as material

Choosing a place for the instrument to fail on purpose, and defending that choice against "isn't that just a bug"

Week 9 · 19 April 2027

From stroke to system

Scaling one instrument into a small series — output that varies without you touching the code between runs

Week 10 · 26 April 2027

Staging the work

Preparing an instrument to run unattended for a stranger, with none of the context you'd normally supply out loud

Week 11 · 3 May 2027

The method of no method

The final crit — exhibition pieces shown together, and the semester's throughline named out loud for the first time

Week 12 · 10 May 2027