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What is covered, week by week, and which topics each lecture draws on.

Six lectures, spaced across the semester rather than stacked at the front, each one landing just before the studios that need it: a claim, an argument, a piece of Shitao’s own treatise read against the code you’re about to write. Where a studio is where an instrument gets built, a lecture is where you’re told why it’s worth building that way.

The single brushstroke

The opening lecture — why this course starts from one continuous gesture instead of a list of features

Week 1 · 22 February 2027

Gesture has more than a position

Why a timing signal you compute yourself outlasts a hardware signal you merely read

Week 3 · 8 March 2027

Time inside the instrument

Why an instrument with a clock of its own is a different kind of thing than one that only ever reacts

Week 5 · 22 March 2027

One path for every hand

Unifying mouse, touch and keyboard isn't an accessibility add-on — it's what a correctly-built instrument does anyway

Week 7 · 5 April 2027

When failure is the material

Telling a considered failure apart from a bug, and why the difference is a sentence you have to be able to say out loud

Week 9 · 19 April 2027

Showing an instrument to a stranger

What changes when nobody stands next to the work to explain it

Week 11 · 3 May 2027