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An abstract geometric composition on warm cream: two large overlapping warm-gold and black circles at center-left crossed by a thin black frame, a small muted dark-green square isolated at upper right

Workshops

The twelve-week teaching schedule: what happens in each workshop, what to prepare, and what leaves the room.

Each workshop turns that week's directing technique into a practical step on your own short film. Check what to prepare before class, then follow the activities and expected outputs for the week.

Follow one complete production: The Last One — a week-by-week practical guide built from a real short-film workflow.

First direction

Observe one provided take, diagnose a problem, and write and review a redirect

Week 1 · 22 February 2027

Pitch and premise review

Your own short film's logline meets the class for the first time, and gets tested against a dramatic question

Week 2 · 1 March 2027

Screenplay workshop

Writing one scene of your own short in proper form, with a director's intent note attached to it

Week 3 · 8 March 2027

Shot breakdown and first storyboard

Turning last week's scene into a numbered shot list, then a rough storyboard thumbnail for each shot

Week 4 · 15 March 2027

World bible crit

Your character and location bibles meet the class, tested for whether a stranger could reproduce them

Week 5 · 22 March 2027

Pre-production crit

A full run-through of your shot list and storyboard before Assignment 1 is due

Week 6 · 29 March 2027

Anchor to motion

Turning one storyboard frame from Assignment 1 into an anchor image, then into a directed piece of motion

Week 7 · 12 April 2027

Take selection

Generating and diagnosing several takes of one performance beat, then choosing on the record

Week 8 · 19 April 2027

Continuity assembly

Assembling a 30–60 second sequence from your generated shots and keeping a continuity log

Week 9 · 26 April 2027

Recut lab

Recutting your week 9 sequence twice — once for pacing, once for montage

Week 10 · 3 May 2027

Sound pass

Directing a line reading before mixing it in, then adding one ambience or Foley layer and one music cue to your rough cut

Week 11 · 10 May 2027

Screening and critique

A near-final cut is screened for critique, and each director defends three decisions before revising toward the final cut

Week 12 · 17 May 2027