Listening Labs
The twelve-week teaching schedule: what happens in each listening lab, what to prepare, and what leaves the room.
Every lab turns the week's question into a testable artefact. Bring the named data or draft, work through the mapping decision, and leave with the output described on the lab page.
- LAB 01One curve, two readingsCompare pitch and rhythm mappings while the source values remain fixed.LEAVE WITHan annotated comparison of two mappings
- LAB 02Draw the provenance chainTrace a small light curve from detector images to a playable sequence.LEAVE WITHa provenance diagram with transformations labelled
- LAB 03Mapping shoot-outTest linear, logarithmic and quantised mappings against a recognition task.LEAVE WITHa tested mapping matrix and selected rule
- LAB 04Fold a pulsarAlign repeated pulses and compare raw timing with a folded profile.LEAVE WITHa pulsar profile and an audification note
- LAB 05Noise or event?Annotate a dynamic spectrum before choosing what the sonification will retain.LEAVE WITHan uncertainty-aware dynamic-spectrum sketch
- LAB 06Chirp under inspectionCompare raw, filtered and shifted renderings of a gravitational-wave event.LEAVE WITHa blind comparison of three chirp transformations
- LAB 07Scan an X-ray fieldPrototype a spatial scan of an astronomical image with progress cues.LEAVE WITHa storyboard for an image sonification
- LAB 08Find the shifted lineDesign reference cues that make two emission spectra comparable by ear.LEAVE WITHa paired-spectrum listening test
- LAB 09Make uncertainty audibleCompare error voices, roughness and explicit gaps on one light curve.LEAVE WITHan uncertainty prototype with a recognition result
- LAB 10Design without soundEnsure the scientific task remains possible through text, table and visual channels.LEAVE WITHa multimodal access audit and revision
- LAB 11The honesty auditIdentify where an instrument's musical framing may overstate its evidence.LEAVE WITHa completed disclosure checklist and revised prototype
- LAB 12Open the listening roomRun the final instrument with public listeners and capture evidence for one revision.LEAVE WITHa public instrument and observed listening record