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Promotional poster for Crash Landing on You, showing the four leads standing together in front of the Seoul skyline at dusk

Week 3 Screening: Screening 3: Crash Landing on You

Romance across the DMZ, and the line between a love story and a political argument

8 March 2027

Open the slides

Before the screening

Watch the assigned episodes. Bring one moment where the romance plot requires you to overlook something about the actual division — a detail smoothed over so the story can proceed.

In the screening

We separate the drama’s two jobs: representing a real, ongoing division, and telling a love story that needs obstacles to overcome. Most of the interesting discussion sits in where those two jobs pull against each other.

Afterwards

This week is a strong candidate for your close-analysis essay if you’re drawn to the gap between what a drama documents and what it invents — the brief for that essay asks you to hold exactly this distinction for a full argument.

The spec

What you bring to the session. Written so a reader can tell whether it has been met without asking you.

Teaching team