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A line drawing of a teaching room in black and gold on warm cream. A lecturer in a gold cardigan stands beside a blackboard with both hands open mid-sentence, three students sit along a table to the right with pens in their hands, and a potted plant and an arched window fill the rest of the room

Lectures

What is covered, week by week, and which topics each lecture draws on.

One lecture a week, and each one names the film you are required to have seen before you walk in. From week two onwards, every lecture builds on topics covered in earlier weeks, and each week’s page lists which ones.

Starting with the language, not the story

Tolkien built his languages first and the world afterwards. What that order of work asks of you, and the four questions your design brief has to answer

Week 1 · 22 February 2027

The sound inventory

Every language uses a small subset of the sounds a human can make. Choosing yours, in IPA, and living with the consequences

Week 2 · 1 March 2027

Words that carry their own grammar

Morphology — the smallest pieces that mean anything, and three different ways of gluing them into words. Okrand's Klingon as the worked example

Week 3 · 8 March 2027

Word order is a decision

Six possible orders, two of which cover most of the world's languages. What yours predicts about the rest of your grammar, whether you meant it to or not

Week 4 · 15 March 2027

Which sounds can sit together

Phonotactics — the rules about which sounds can follow which. Frommer built Na'vi for actors who had to learn it quickly and pronounce it accurately on camera

Week 5 · 22 March 2027

Where words come from

Building a lexicon — core vocabulary, derivation, and getting a thousand words out of two hundred roots. Herbert borrowed heavily, and it is worth asking how

Week 6 · 29 March 2027

Variation and register

Pidgins, creoles and register. A language with only one way of saying something is not finished yet

Week 7 · 5 April 2027

Writing it down

Five ways to write a language, and what a script tells you about who could read it, what they wrote on, and how quickly they worked

Week 8 · 12 April 2027

Language and thought

The film makes a strong claim about language and thought. The evidence supports a much weaker version of it, which is the more useful claim to examine

Week 9 · 19 April 2027

Learning it from strangers

Comprehensible input, the critical period, and one of the few scenes in cinema that depicts language acquisition roughly correctly

Week 10 · 26 April 2027

Darmok and Jalad at Tanagra

Pragmatics — you can know every word in a sentence and still not know what it means. The final subsystem your language needs, and the hardest to set down

Week 11 · 3 May 2027

The crit

No screening this week. You read a text aloud in a language that did not exist in February, and somebody who has never seen it reads a sentence back

Week 12 · 10 May 2027