Week 9: Critiquing the brief
Turning the method one level up, from the work to the instructions that produced it --- and what changes when the author of the brief has power over you.
19 April 2027
Everything up to this week has been a note on a piece of work someone chose to make. A brief is different: it’s the instruction that shapes what work gets made at all, and it’s usually written by whoever is going to mark the result. That asymmetry is exactly why this week matters — if the method only works on things you have no stake in criticising, it isn’t a method, it’s a permission structure.
The test doesn’t change: a note on a brief still has to name a specific clause, and say what would prove the complaint wrong. “The brief is unclear” fails the same way “the pacing drags” failed in week 3 — it names nothing a person could go and fix. “Clause two says ‘clear and concise’ but gives no way to tell the two apart” survives the same argument a note on a paragraph would have to survive.
This is also, deliberately, the week this course points the method at itself. A brief that can’t survive its own test doesn’t get to keep being exempt from it just because it’s the one handing out the marks.
Outline#
- the asymmetry: criticising an instruction written by whoever marks you
- why the test doesn’t get softer just because the target has power
- what this week’s crit finds when the method is aimed at this course’s own briefs
Teaching team
- Marisol Quaye — convenor