Pixels Don’t Lie (Usually)

Week 4 — image forensics

Two long histories collided

  • old: retouched, staged and misattributed photographs — reverse image search, EXIF, shadow-and-light consistency
  • new: diffusion models hallucinate an image from nothing, leaving a different kind of trace entirely

Most fakes aren’t generated. They’re recirculated.

The cheap checks first

  • reverse image search — has this exact image appeared before, with a different caption or date?
  • metadata (EXIF) — camera, timestamp, edit history, when it survives re-upload
  • these catch a shocking amount, because most misinformation is a real photo misdated, not a synthetic one

What a diffusion model leaves behind

  • irregularities in frequency space invisible to the eye
  • inconsistent reflections and shadows across a scene
  • anatomical tells — hands, teeth, text-within-the-image — that are getting rarer every model generation

The landmark case: Balenciaga Pope

  • March 2023 — a Midjourney image of Pope Francis in a white puffer jacket, made as a joke by a Chicago construction worker
  • fooled a huge share of the internet — including Poynter’s own media literacy team, and nearly half of 240,000 people polled by a science communicator
  • what gave it away: a smudged ear, glasses melting into shadow, a coffee cup warped in a hand that doesn’t quite hold together

Further reading

TIME — How to Spot an AI-Generated Image Like the “Balenciaga Pope”

“The hands look wrong” was never a durable method.

Reading

Deepfake Media Forensics: Status and Future Challenges (2025) organises the field into detection, attribution, passive authentication, and real-world-scenario detection — worth skimming for how fast each category is moving.

Further reading

Deepfake Media Forensics: Status and Future Challenges (2025)